[Caspar David Friedrich, Greifswald in Moonlight, 1816/17]
[Three by Teofilo Olivieri]
[Two by Graham Franciose]
Fall is here at last in New York City: shadows ever longer, goldenrod coming into bloom on Chelsea Piers, the sun still fierce but knowing her power is waning, fleets of Monarch Butterflies sailing by (as far up as thirty stories)...
It is autumn in Pomerania too, along the southern shores of the Baltic, where I lived for over a year. The Pomeranian State Museum in Greifswald (where I spent a great deal of time) just opened what must be a wonderful exhibit on the "Birth of Romanticism," featuring work by three native sons: Friedrich, Runge and Klinkowstroem. Most exciting: the National Museum in Oslo (where I lived for six years) has sent Friedrich's Greifswald by Moonlight, the first time I believe that it has ever been displayed in its hometown. For more, click here.
Closer to home, the lobster and the canary last month stumbled across the artist Teofilo Olivieri and his work. He was selling his boldly delineated, vibrantly colored, enigmatic pieces on the street just south of Union Square-- we bought one of the ambiguous horned owl-people. For more, click here.
Graham Franciose sent me a link to his new website-- for which, click here. I love his mournful, pensive, rum little people...and the way they twine with and are entwined by the natural world (birds, roots, nests).