Cornelia Parker, Cold Dark Matter: An Exploded View (1991, at the Tate)
As always, copyright in work and image held by the artist and/or the museum; image used here solely for purposes of commentary.
I have written here and here about Drop-Time, the moment that is frozen in motion, simultaneously gliding and flying while having been lived once, in a specific blink or gasp, months or years or decades ago.
Cornelia Parker captures this feeling of mine, crystallizes the arc of the energy, lets light play through so that the aftermath is perpetual and perpetually changing in shadow.
Sometimes I think I can see my heart-beat in slow motion, kinetic (e)motion, feel it expelling outward, rimmed in living darkness yet pierced by light.