Lobster and Canary
Sunday, March 25, 2012

A Little Green Heron in Drop-Time

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Several decades ago, I watched a Green Heron hunting in a half-strangled stream --dwindled to a thread at the bottom of a drainage ditch-- m...
Sunday, March 18, 2012

Peering in the Mere of Mimesis

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Two quotes struck the lobster and canary this week: "As museums continue building mobile devices into more exhibits--the Museum of Fi...
Sunday, March 4, 2012

The Founder's Tale: How Arts Entrepreneurs Will Save The Economy

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"When I look back at the history of Hauser & Wirth over the past 17 years, I notice a pattern—we have almost always opened our gall...
Sunday, February 26, 2012

The Flesh of the Gods, or, Pan in Cyberspace

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---Carnival revelers in Lucerne, Switzerland, February 16th of this year. So another Mardi Gras has come and gone. ---Carniv...
Sunday, February 12, 2012

Irish Ghost Towns, Fairy Gold, and the Diaspora

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John Jeremiah Sullivan writes in "My Debt to Ireland" (in this morning's New York Times Sunday Magazine ) about searching for...
Sunday, February 5, 2012

Three Alchemists: Beachy-Quick, Kornher-Stace, Taaffe

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Dan Beachy-Quick ... Nicole Kornher-Stace ... Sonya Taaffe ... Three writers, ranging in age from 29 to 39, who have moved beyond the ...
Sunday, January 29, 2012

Word and Image: The Hobbit

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A passage in The Hobbit that I have been musing over, the one describing Bilbo's reaction at first seeing Smaug slumbering atop the tre...
Saturday, January 7, 2012

Seven Songs To Celebrate The Full Moon On Monday

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The lobster and the canary share with you seven new (or at least new-ish) songs that we find ourselves listening to frequently at the moment...
Sunday, January 1, 2012

Remembering Helen Frankenthaler

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Lobster & Canary welcomes the new year by celebrating the work of Helen Frankenthaler , who died December 27th at age 83. For an esp...
Sunday, December 11, 2011

Melora Griffis at 571 Projects

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-- Melora Griffis , empty room (2010; acrylic, gouache, pastel on paper). --Griffis, blue sun (2010; acrylic, gouache, past...
Sunday, November 27, 2011

The Freedom Maze, by Delia Sherman

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Lobster & Canary was at the November 22nd book launch party at The Center for Fiction (NYC) for Delia Sherman 's The Freedom Maze ...
Sunday, November 13, 2011

Shahzia Sikander & Du Yun at Sikkema Jenkins

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Shahzia Sikander 's current show at Sikkema, Jenkins (in NYC's Chelsea) includes a 10-minute animated video projected on a large wa...
Sunday, November 6, 2011

Berman, Delany, Hairston, Hernandez, Johnson & Kushner at The Center for Fiction (NYC): Celebrating Le Guin

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Last month The Center for Fiction in midtown Manhattan presented a reading series as part of the NEA's Big Read (in partnership with A...
Sunday, October 23, 2011

Toronto SpecFic Colloquium: Modern Mythologies

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The Lobster and Canary hugely enjoyed participating in the Toronto SpecFic Colloquium on October 15th. Toronto has deep roots in speculati...
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Monday, October 10, 2011

Bureau and Thierry Goldberg on the Lower East Side; Mary Tompkins Lewis on Chardin

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Many of Lobster & Canary 's favorite art galleries are in NYC's Chelsea, but we're excited by the blossoming of interesting ...
Sunday, October 2, 2011

The Spectral Beauty of Decay at Temple Court in Lower Manhattan

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Yesterday, as the sun set and rain fell intermittently, the lobster and the canary had a rare treat: We got to visit the interior of the r...
Sunday, September 25, 2011

More on Lorna Williams at DODGEgallery

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A quick addendum to today's posting about Lorna Williams at DODGEgallery in NYC: The gallery kindly supplied these two images of Wil...

Lorna Williams Weaves Space; Dafnis Prieto Flicks Time

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[Last week's post on feminist approaches to fairy tale and myth has been formally posted to the Toronto SpecFic Colloquium blog, with a...
Sunday, September 18, 2011

A Dragon of Their Own: Fairy Tale & Myth From a Feminist Perspective (With Guest Appearances by Janelle Monae, P.J. Harvey, Rachelle Ferrell, Cecile Corbel, Kate Bush, Loreena McKennitt, and Rihanna)

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Happy fall to you all, from the lobster & canary in NYC. We are presenting at the Toronto SpecFic Colloquium next month. Here is the ...
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Sunday, September 11, 2011

Fall Arts Preview in NYC: Neely, Ventura, Holmes, and More

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The fall arts season has begun here in New York City: the usual horn of plenty spilling out its wonders, far more offerings than any one of...

Fall Arts Preview in NYC: Neely, Ventura, Holmes, and More

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The fall arts season has begun here in New York City: the usual horn of plenty spilling out its wonders, far more offerings than any one of...
Tuesday, September 6, 2011

Toronto SpecFic Colloquium (Mike Carey is Keynoting)

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The lobster and the canary apologize to all patient readers for the long hiatus; we were taking a rest during August, but are back now. W...
Sunday, August 7, 2011

With Eyes Like a Lynx: Using Computers to See The Otherwise Hidden

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We love the ever-expanding use of digital tools, especially in the arts and humanities. Not only for what we learn about specific artists, ...
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About Me

Lobster and Canary
New York City
I am Daniel A. Rabuzzi. Lobster & Canary explores fantastical/surreal fiction, poetry, and visual arts, fairy tales, oral epic, & children's lit. CZP (Toronto) published my novels *The Choir Boats* (2009) and *The Indigo Pheasant* (2012). I live in an enchanted city called New York, with my wife and soul-mate, the artist Deborah A. Mills, along with the requisite two cats. Deborah & I design & create art together; our first collaboration was shown in 2012 at The Observatory (Gowanus, Brooklyn). Learn more about me: www.danielarabuzzi.com. Contact: drabuzzi (AT) earthlink (DOT) net. "Lobster and canary" is a Norwegian expression, meaning "odds and ends, a bit of this and a bit of that." The lobster in the header is from Abraham van Beyeren's "Still Life with Lobster and Fruit" (1650s)--the original painting is at The Metropolitan Museum of Art (NYC). The canary above is by Carl Fabritius (1654)--the original hangs in The Mauritshuis (The Hague). My understanding is that I am using the former image by virtue of fair use, and the latter because it is in the public domain.
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